Penny dreadful ep. #10

Ladies and gentlemen. This is my first official mobile blog
post....... Thank you apple.

I'm sitting here in a "small brick theater with uncomfortable seats"
in Brooklyn. I left my warm apartment this morning and faces the 7
degree weather so I could make if to tech rehearsal in time.

I am proud to be reprising my role as Harry Houdini in this on going
theseerical experience produced by www.Thirdlows.com.

I'm about to get into costume. We have a show tonight and tomorrow
afterNoon. I'll post again soon with details on how to watch it
online on a few weeks.

Ah. Weekends at the Brick in Brooklyn. Coffee is needed.

A Shrewish Review as Promised

So here is the long awaited review for Taming of the Shrew.  Apparently we were a hit!  I wish I could have been there for the entire run.  But alas, the draw of points pulled me to SaraSLOWta, Florida.

So..here ya go...

nytheatre.com review

Martin Denton · September 16, 2008

The Taming of the Shrew is a play that often makes me uneasy; the reason why is contained in its title, which promises us a "shrew" who needs to be "tamed," which should give every 21st century American some pause. Petruchio, the tamer, says of his fiancee Katherine, "She is my goods, my chattels" and the modus operandi he uses to bend her to his will resembles nothing so much as breaking a wild horse.

But, as one expects from Shakespeare, there is much in Shrew that is poetic and/or wise, and the play is a ribald, raucous good time, at least when done without adornment and apology, which is exactly how director Joe Leo is serving it up in his new production of it for Misfit Toys Repertory Company. Leo does three things here that strike me as very smart: He keeps the play in its time and place. He retains the original play-within-a-play structure, which posits the story of Petruchio and Kate as a bawdy entertainment devised by some passing players, put on as a practical joke for an alcoholic ne'er-do-well called Christopher Sly (and Leo keeps Sly with us until the end of the play, which is seldom done, giving the last word to Sly himself, who exits determined to "tame" his own wife as he has learnt from the comedy he just saw; read more about Leo's dramaturgy here).

Probably most important, he gives us a Petruchio and Kate who come to both like and love one another, notwithstanding the one's opportunism and greed and the other's unbridled misanthropy. In Nathaniel Kressen and Fabiola Reis, the production has a lively, likable, sexy pair of lovers for us to root for, and we observe the precise moment when the two realize that they've fallen for each other.

(It occurs to me that you may need a synopsis of the play; here's one from SparkNotes.)

The entire production plays out on a mostly bare stage whose only dressing is a bench plus some occasional props. Period and status/character are established through the use of Helen Fey's excellent and exquisite costumes, which sometimes whimsically remind us of the commedia dell'arte style associated with the musicalized Shrew, Kiss Me, Kate, but mostly feel rooted firmly in the Elizabethan Era.

Kressen and Reis are among the strongest members of this uneven cast, and so Petruchio and Kate's story predominates; Reis may in fact be the best Kate I've ever seen, with an underlying intelligence and humor that makes her eminently sympathetic. Other standouts in the company include Sean Demers as Sly, Warren Katz as Gremio (elderly suitor to Kate's sister Bianca), and Bryan Webster as Kate and Bianca's father Baptista. Leo himself is delightful in the cameo role of Vincentio, and his scene with Kressen and Reis (where Petruchio devilishly commands Kate to treat the old man Vincentio as if he were a fair maiden) is one of the highlights of the show.

Leo's staging is fast and funny, never missing an opportunity for a gag or some shtick. Shakespeare's puns are punched up for comic effect, and antic scenes like the welcoming "dinner party" for Kate at Petruchio's house are amped up to the level of circus (literally: food is juggled, plates are spun, and servants clownishly collide).All serves to remind us that Shrew, upsetting as it may be to contemporary consciences, is a lark, and a goof, and indeed always has been and always will be. Leo lets us laugh at the frivolity without a single pang of P.C. worry. Well done. 

Florida Studio Theatre

Ladies and Gentlemen, 

  I know i have been a tad remiss in my blogging, but it has been a busy few weeks, make that months.  I promise to write more shortly.  The past month found me performing with the Misfit theatre rep company in Taming of the shrew as Grumio.  And shortly after I hitched a ride on a plane to sunny Florida and am currently working on a piece here at:

Florida Studio Theatre.  Woohoo!  Who wouldn't want that on their resume.  So I promise to write more and post the Shrew review and info about this current show within the next week.  The internet has been spotty at best, so its been an uphill battle to at least check my email before losing the signal completely to Thunderstorms, Power outages, or just sneezing at the wrong time and causing the air particles to re-allign in such a way that I don't get signal.  Bummer.

I promise to be back in the blog of things soon....stupid phrase I know.  But i'm alive and working at one of the beautiful little theaters down here. 

So look for more updates soon....

Audition Audition Audition

This past thursday I auditioned for a children's production...ugg..of the Emporer's new Clothes at Florida Studio Theatre. Hello EMC points (The points we need to become a member of Actor's Equity). Of course, that is if i get it. Its really minimal pay, but the points make it all worth while. The audtion was fantastic. I made the casting director laugh with some witty anecdotes and then had a very "strong and spot on read." So I'm waiting to hear back now. I should hear within the week. I hope. It'll be a great way to see family and also work. So who knows.

And last week was also an audition at beautiful SVA.

Yeah, thats right. Sva. Which is a walk from where I work to the complete other side of Manhattan. Thank god yesterday was a nice day and not sweltering like it has been the past few weeks. In addition to that both myself and Samantha Mason were called in by the assistant Director. A gentleman we have both worked with in the past and who based on past experiences, has a pretty good eye, and an intelligent head on his shoulders.

Competance is sometimes a scarce thing.

So how did it go? What was it for? Well its for a western. Yes, me in a western. It is being shot sometime in October out in Penn. Roadtrip! As for how it went. I don’t think an audition can go better.

For starters, I was actually a little nervous. its one thing to audition for random people you don’t know and will probably never see again, it is completely different when you know at least one of the people behind the table. All that aside, things went well. My monologue i use for contemporary pieces is fairly obscure and no one has recognized up until yesterday. I count that as a good sign that the director recognized it and was pleased with the choice at least. From there I was given a few sides to go over. While out in the hall, our very own Samantha stepped in to audition. She too was given sides which..we were brought in to read together.

I can’t tell you have reliving it is to know the scene partner in an audition and to trust them. There is a certain feeling when you know you nailed an audition. And, yeah, we nailed it. Its one of those things that if i don’t get called in for a call back or a part, I don’t care. It means I wasn’t right for the part. Plus, i know I did my best. So, Booyah!. Take that SVA.

So now we play the waiting game.

Carmex and Drinko and Tea. Oh My!

Its that time again. Time to share all the little projects that have been going on in the past few months with all of you. Some I've been a part of some I haven't. But nevertheless, you're going to get them all.

So the first, and closest to me is Doug Mackrell's entrance into the "Camex-Share the Tingle" video contest. Please, watch below and rate and enjoy. It was a pleasure to work with him and Jenelle Sosa, the featured girl in the short. I am so very proud of the outcome. (should have worn a different color shirt, oh well.) So with out further ado...



Next up on the list is Clay Drinko's video for his newest release 'Terror Ass.' Featured in the video along with Clay is also miss Becky Byers, no stranger to the stage and former scene partner from Wakky NuNu.




And Last but not least is Pam Ralat's entry for a scholarship competition. So by all means go and rate this. Vote happy and enjoy. Featured in this are her friends as well as Jeso O'Neil making a pleasant departure from dancing to being in front of the camera.




So thank you all for the support and I hope you enjoyed these. Please rate the Carmex an the Tea videos positively as the outcome of both of them is very important and success hangs in your little 5-star-click.

When In Rome, Part 2

Week number 2! Alright. The first week of horrid background work ended. The crew flew off to Italy to film scenes there. Scenes that as far as i can tell will include Danny Devito. What is he doing in a Disney romantic comedy?!

So they called us in for another week's worth of work which went by nice and slow. If i haven't said it before. Background work is the most boring time sucking thing you could ever do. The only consolation is the fact that you're getting paid to sleep.

The Paramount Truck.

I dunno, I just thought it was cool. Yours truly and the mountain.

So we filmed and filmed and filmed. I will say this. The scenes we were filming (over and over again) take place in the very beginning of the film. The camera opens up on some exterior shot of the church, some scenes of the wedding itself, then it pans inside the reception hall where there are a few people dancing. Oh yeah, I'm there baby. I'm actually in several scenes dancing, a slow waltz, and also dancing with traditional dancers. The things we do for peanuts, right?

So here is a shot of the crew setting up some tracking shot. Like little train tracks.

And here we have one of the stars, josh duhamel getting ready for the next scene. His co-star, kristen bell...is off hiding somewhere.

Check out the location. Its downtown near city hall and Dance New Amsterdam. From what we were told its an old courthouse that they decorated to look like an Italian Villa. It looks good to me, never having been in a real Italian Villa.

As for the stars, mr. josh there was actually and surprisingly a nice guy. He was genuinely nice, not putting on airs as many actors do in films. Its refreshing when you see someone enjoying what they do, and enjoying the company of complete strangers. More so, its nice when that person acknowledges that we as background are peons, but important to the look of the scene and its not glamorous or fun work. His constant thank yous never once felt false nor were they unappreciated.

So again. more extra work. I have no crazy stories about the nutjobs who work as extras (since i was one of them) this time. Its always interesting, however, to see how things work on a movie set. And hey, its free good food. Can't complain about that. And of course, this was another possibility to get a waiver in order to become SAG. Someday.

For now..Back to auditioning. Good news. I've just been cast in a play opening in September. I"ll write details as i get it.

When In Rome

Well Ladies and Gents, it might not be glamorous work but once in a while background extra work can be fun. Or at least a way to pay the bills. On that note, last week i found myself as a guest at a huge Italian wedding (go figure) for the film When in Rome With Kristen Bell, Don Johnson, Danny Devito, Anjelica Houston to name a few. Don and Kristen (yeah like i can call them by their first names) were on set. No huge deal. Its always a great character study when doing extra work. I was contracted for 5 days so you can't complain about that.

The film according to IMDB.com is about "In New York City, a young art curator finds herself aggressively pursued by a band of wannabe lovers after she steals coins from a Roman fountain."

First day was cancelled due to the director being ill. (but still got paid!)
Second day, right off the bat someone wacko was escorted off the set. There are obvious rules to doing extra work. Basically, you're a nobody and don't presume that you have any clout. With a room full of 150+ extras losing you will not make much of a difference. So just sit and play nice with the other kids.
All in all it was a nice full day of filming where I was pulled out as one of the few people waltzing. So we'll see when this film comes out. Maybe I'm seen who knows? Who cares really. Its not featured extra work. Its a waltz for Christ's sake. It was a long day (night?) thought. 5:30 p.m. call and shot until 4:45 in the morning. good times.
Third day was cut short because the director was ill yet again.

and then we wrapped. Apparently he had his appendix taken out and was too sick to continue. I sadly did not get paid for the remaining days. Boo.

But still, it'll be a nice check and if anything i got to spend time with some friends who also worked the shoot as well as laugh at the most ridiculous characters...as usual.