Complete works of William Shakespreare {Abridged} Tour…..

Its been a while since i've updated this. Not for lack of work, but because i'm lazy. Damn lazy. I worked this summer down at the South Street Sea Port in a production of 12th night. it wasn't a bad piece and i managed to make a lot of good friends in it. Goo networking.

But the Seaport. We were in the SPACE gallery which during the day is a great art gallery. But to ask an audience to sit through three hours of Shakespeare without A/C is not fun. Plus it takes at least an hour, if not more, to get anywhere from the Seaport. Especially late at night.

And now, I'm working on the Complete Works Of William Shakespeare Abridged with WindWood Productions.

Going to Frostburg Maryland. Rolling hills and such. My ears popped like crazy going up and down the roads cut through the hills. But I’m officially on the road and enjoying it. In fact I am writing this little message from my hotel room. It’s a Best Western, nothing special, but the rooms are big enough that my roommate and I aren’t crowding each other. And I spent tonight after rehearsal relaxing in the hot tub.

Yeah, being an actor is great.

So the show..The complete works. Really, what is there to say? It’s physically draining and rewarding. And of course it’s a wonderful love letter the Bard. Plus this is a wonderful company to be working for.

So here I am in Maryland. Working…or so they say.

I’m getting paid for this

The Long Christmas Ride Home

The first weekend of performances is under our belt. Aside from the usual little bumps and hic-ups the show is going really well. I'm insanely proud of my work in it. Of course there are places where i feel i could better myself. But its theater and always a work in progress.

The process of this project has been such a wonderful ride. This has been by far the most challenging project i've worked on since coming to NY. Its been a very long and rough road but i'm happy with the outcome.

The cast I'm working with is phenominally talented. Not to mention the fact that we all get along. For all of you out there who have worked in the theater here in NY, or anywhere for that matter, there is always that one person or aspect of the show that drives you insane. This show? Everyone gets a long and there are no negative feelings towards anyone or any aspect of the show...who knew? Of course we all wish we had more rehearsal time. But who doesn't.

One of the most impressive aspects of the show are the puppets. The play calls for our best western interpretation of Japanese Bunraku puppets. I think we do a pretty damn good job. During rehearsals it got to the point where the puppets were soo much more interesting and life-like that we paid attention to them more than eachother and fellow actors. Its amazing how your eyes are drawn so quickly to a little wodden person being operated by a team of puppeteers. Not to mention the fact that I can now confidently put puppetry on my resume knowing full well that i can operate the damn things.

And it would be a crime to not mention the lesbian shadow puppets. Thank you Paula Vogel.

So the show has one more weekend and the hardest judges of all, my parents, are coming. So we shall see what they think. But i predict tears. Just a few, but tears all the same.

EYE CANDY Video, Red Fern, Capes...

Well, it has been a while sice I posted. Not because I have been slacking in my auditions, mainly because I just have no time to sit down and write. Part of my resolution is to write more, so here I go.

The past several months have seen me cranking up the auditioning volume on my life.

The last 2 months of 2006 i was in an amazing class at Capes Coaching. The class is designed to help you set goals and find ways to follow through and achieve those goals. (writing being a means to an end, or more possibilities I hope) I would highly recommend these amazing people to anyone. I feel so empowered and confident in the direction my career is going. I can only thank these women for pushing me and opening my eyes.

I have been auditioning non-stop these past few months. And happily all this hard work has paid off. I have just been cast in a production of The Long Christmas Ride Home by Paula Vogel with the Red Fern Theatre Company. I'll post more info about the production and the company as soon as I get some.


And for all you Eye Candy fans, I have found a posting on YouTube of a section of the show from the original production in the fall of 2005. The clip below is of Billy Keiffer and Maria Colaco. Watch and Enjoy.


And..Look for a Patrick and Pam production coming to a computer near you soon.....

A sketch or two, and a dog

Audition update.

The past week has been filled with submitting for auditions and managing to book a few. Last Sunday I auditioned for Ken Turrel’s theater company, Where Eagles dare to…something something. He has a little festival of original works coming up at the end of October. Usually I loathe original works because anybody and everybody is thrown up there with a few words scratched out as a script. But I figured, why not. Work is work, right?

So I go to the initial audition and forget my headshot. Every time I audition for something at Ripley-Grier Studios I forget my headshot and resume. Never fails. Well, I auditioned. With a monologue from a MeatLoaf Album. Yes that’s right, Meatloaf. I realized I don’t have many contemporary comic monologues. And those I do have memorized aren’t that funny. So I went in, did my thing and left.

Who woulda thought I got a call back. In fact, I was called back to play the character of ‘Dog’ in a two person show about the relationship between a human and their dog. It’s physical and quick. At least, the section of the piece I read for the call back was. I was the only one who read for dog up against everyone. So now I just wait and see. It was one of those things where the director said, ‘obviously I’m looking at you for the part.’ Yeah, I’ve never trusted that and never well. Too many things happen and there are too many factors that come into play at the last minute. Its physical, so at least I got that going for me.

The other audition was for Happy Hour, no not the happy hour clowns…one can dream. But instead for this sketch-esque late-night comedy show that is from what I could come up with, also part cabaret. It is located WAY down on the LES and Ave C. Too far from any trains really. But we went in, were given some basic ‘choreography’ and every one went thru the same routine. It was really easy, really basic. The kinda stuff that appeals to ½ drunken crowds. It’s all very base humor, but is there anything better than base humor? Only problem is that they rehearse right in the middle of the day. The same time all of us struggling actors are trying to eek out a living so we can eat, do laundry and pay rent.

Again, like all things in this business….we shall see.

EYE CANDY

So as you know, Eye Candy is doing some amzing things at the Fringe.

We're headed towards our final two performances this weekend, the 25th and 26th. But this past weekend we were reviewed and I am here to boast and show off my first official NY Review.

To read all reviews visit: NY Theatre

To read this one online visit: EYE CANDY Review

and for info about our last 2 performances go here: Maria Colaco Dance

EYE CANDY

reviewed by Komail Aijazuddin

You are not good enough as you are. It's a hard pill to swallow, but it's true. You're about fifty pounds, three minor surgeries, and one Nobel Prize away from being everything you can be, or so you suspect. For anyone who has been on a date—hell, for anyone who has walked down Broadway on a Saturday morning shining with stares and judgment, EYE CANDY is not to be missed.

With the dating checklist expanded to include rocky abs and buns that defy physics, this funny and engaging modern dance performance takes a candid look at the ever-challenging search for a mate. Created and choreographed by the immensely talented Maria Colaco, the piece hacks away at relationship protocol, vocabulary, and ritual to present us with a wholly unique and endlessly hilarious view of what we do on the prowl for love. Colaco has mixed modern dance with dramatic theatre, and the result never bores. Her direction is confident, daring, and refreshingly unexpected. Interactive without being intrusive, the show will stun you with how many times you'll see your own past being acted out for you. Each initial stare, stifling relationship, and bad breakup is immediately accessible and presented without pretension. The script is hilarious and its structured extremely well thought-out.

The cast, which includes Colaco herself, works well together. They are talented, well-trained, and a joy to see. Billy Keiffer and Patrick Pizzolorusso are particularly enchanting, easily commanding the audience's attention whenever on stage. Though ultimately a comedy, EYE CANDY is infused with some serious dramatic segments that stun and impress in equal measure. Specifically watch out for Pamela Ralat, whose tearful and disturbing monologue towards the end of the performance is deeply touching. Each cast member inhabits a stereotype of sorts from the onset: Divas, Lovers, Pimps, Hotties all frolic in unison and this with other simple but effective theatrical tools adds to the complexity of this performance. The dance pieces themselves are beautiful, striking, and meaningful and range from sinewy ensemble numbers to sensual fits of fan kicks and cigarette holders.

EYE CANDY strips dating to its underwear and parades it before us in a way that is not only consistently entertaining but also introspective. It provokes, above all else, thought. Thoughts about body image, cruelty, love, compassion, lust, sex, drama, ambition, the superficial and the prophetic. And occasionally about how fat you are. Then again, there is always the Nobel Prize.

Back in the Saddle Again

It has been an awefully long time since I posted and I apologize. But my time has not been spent slacking off I assure you all.

Currently I am unemployed. Thank god that I have always had a knack for saving money. Even though I am entering a month of no work, I don’t mind. I do so willingly because I have been auditioning non-stop for the past several weeks and I love it!

My last few auditions have been nothing short of…entertaining.

The first one I went one was a general dance call for La Cage Aux Folles. Now here I am thinking, “there is nothing else going on, sure I can go out for a dance call, after all I’ve been in a modern show and I’m working on another piece now.” Yeah, not so much. You try dancing for two hours in characters shoes. I am, howver, proud that I managed to make it through the whole thing and didn’t screw up nearly as much as I thought I would. The director at least liked my character choice of the ‘Special’ dancer. I was give the compliment of “fierce” legs, something to be proud of. I have acquired a new respect for all those women out there who work the chorus. It is not an easy job.

Aside from submitting like a click happy fiend I have also gone on a few film/commercial auditions. This short film is being done by an NYU student. Now I know it’s a student film, but I figured it’s a good place to start building up film credits. The premise is very juvenile and unoriginal, a spoof on the Real World. Their special twist is a house full of famous literary characters. I auditioned for Hamlet..big stretch. But I know when I left that I nailed it. Sadly I will be unable to be a part of the piece because we’ll be out of town. VACATION! (But I did get called back)

This past week I auditioned for a Dunkin Donuts Commercial. I was first to arrive in the morning, so that means I was the first in and the first out. Such a breeze, not to mention fun! The idea is to show the world that DDs has coffee as well as tastey round pastries. And cheap good coffee at that. Where other places *cough, Starbucks, cough* coffee is looked at more like a status symbol, Dunkin Donuts is the working man’s joe. So there I am carrying on a phone conversation into a coffee cup as my audition. Ahh improv skills. I made them laugh as well. So again, who knows?

Finally, this afternoon I auditioned for a production of Twelfth Night for ACS. I have no idea what that stands for, but the talented and big-hearted Ed referred me to the company so a auditionin’ I went. It was in a very drafty and very cold church on Christopher street during a drizzly afternoon. So, when I got there I was somewhat chilled to the bone. I started out a little rough, but on my third read I made the director laugh and that is always a good thing. Laughter is such a powerful toxin.

The production is this summer in Jersey City, which means for me an hour and forty-five minute commute. Give or take a few minutes. But, it is with a company that comes highly recommended from someone I trust.
All in all, I am happily back in the auditioning game and loving every minute of it.

Odd things you see on the way to an audition

“Never leave home without your Camera.” I am so greatful I listened to this one piece of advice for surviving in the city. On a recent trip to the Equity Building in Times Square for an audition I came across yet another oddity about this city. No, it wasn’t the naked cowboy or a random costumed superhero. Nor was it those annoying people selling tickets to comedy shows, “Do you like Comedy?” No, it was dancing.

Latin style dancing in the middle of Times Sq. between a man and his puppet. This life-sized female puppet was atatched to him via special shoes and because of this she appeared to be dancing with him, only contorting her body in ways that no human could ever or would ever do. These antics of course gathered a small crowd, none of whom were willing to get too close to this flailing dancing couple. Of course I snapped a few pictures.

Very Technical Dance move here folks, please don't try this at home.

After a lively performance our talented couple was ushered off by the police for lack of a permit. So of course, when you are done dancing, you pack it away. In this case quite literally. The spry couple sauntered over to a small pile of boxes and the gentleman opened up a suitcase and began folding up his dance partner and packing her away.

Is this how dancers are smuggled in and out of Times Square?

In the Suitcase she goes

And then this charming street urchin who danced his way into our hearts, or something like that, packed up his partner and wandered off to entertain confused onlookers elsewhere.

I say entertain when in all reality its quite frightening. I’ve seen ths performer in Penn Station as well and was extremely freaked out then.